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Canon EOS C400 6K Full-Frame Digital Cinema Camera (Canon RF)

Canon EOS C400 6K Full-Frame Digital Cinema Camera (Canon RF)

***Orders made during our closed hours will not be processed until we are open again and therefore will allow for some discrepancies.


Additionally, last minute orders cannot be guaranteed to be all in one location as we are not given time to transfer gear.


If yours is a last-minute order, call us to confirm!***

Qty: 2


Canon EOS C400 6K Full-Frame Digital Cinema Camera (Canon RF)

 

Key Features
  • 6K FF Back-Illuminated CMOS Sensor
  • Full Frame, Super35 & Super16 Modes
  • 6K60, DCI 4K/2K, UHD 4K120
  • Triple-Base ISO: 800, 3200, 12,800
  • PL Mount Adapter Available Separately
  • Improved Dual-Pixel CMOS AF II
  • Record Internal XF-HEVC S, XF-AVC S
  • Record Internal Cinema RAW Light, XF-AVC
  • Timecode, Genlock & Return Video Ports
  • Compact Form, Ethernet & Wi-Fi Control

 

Overview

Creators looking to capture a rich cine look while accessing versatile imaging tools can now turn to Canon's RF-mount EOS C400 6K Full-Frame Digital Cinema Camera. Based around a new 6K full-frame, back-illuminated CMOS sensor, the C400 features three ISO bases of 800, 3200, and 12,800, covering a truly wide range of light levels. This digital cinema camera blends high-resolution imagery with both cine-style and broadcast features like an optional Cooke/i PL mount, return video, and both Super35 and Super16 modes with solo shooter-friendly functions such as Dual-Pixel CMOS AF II, internal ND filters, and a compact, lightweight form.

6K Full-Frame Sensor
Canon has placed its new 6K CMOS sensor at the heart of the C400 camera, enabling it to offer exceptionally low noise, increased sensitivity efficiency, and better 4K imagery via 6K oversampling. This is all made possible thanks to the improved light capture technology of the back-illuminated, stacked CMOS sensor.
Triple-Base ISOs
The same 6K CMOS sensor also provides the choice of a trio of ISO speeds: 800, 3200, and 12,800, so you can capture both the brilliance of settings like Times Square or a full-sun landscape and the nuances of available light scenes like an interior location or a nighttime city skyline.
Multiple Recording Formats
  • Different projects demand specific recording formats, and the C400 has you covered with up to 6K60 Cinema RAW and HQ, ST, and LT Cinema RAW Light 12-bit modes. Oversampled 4K with amazing detail is available in 10-bit 4:2:2 with frame rates up to 120p, all without cropping the image on the sensor. Slow- and fast-motion can be captured at rates up to UHD 4K120 and 2K180.
  • Canon has made your editing process easier with two new codecs: XF-AVC S and XF-HEVC S, both featuring an easier naming system and folder structure and metadata preservation, all within the established MP4 format.
Optional PL-Mount Adapter
Widen your lens choices to include a range of beautiful pro cinema "glass" using the separately available PL-RF adapter for the C400. This adapter includes side lock plates for a secure fit and transfers Cooke/i metadata for VF/X and other post-production uses.
Dual Media Slots
Fans of proxy recordings will appreciate the CFexpress Type-B and SD card slots on the C400, which enable sub-recording and proxy capture using the SD card slot while simultaneously recording up to raw using a CFexpress card.
Mechanical ND Filters
Whether you're shooting a cine-style feature or grabbing run-and-gun footage for a documentary or event coverage, you'll appreciate the ability to quickly dial in up to 10 stops of ND filtration with the C400. This near-instant exposure adjustment enables you to maintain your chosen depth of field since it negates the need to stop down on your lens.
Compact, Lightweight Body
Canon's RF lens mount features a short flange back, reducing its lens mount area and overall size, which makes it the ideal camera for gimbal, handheld, or drone capture.
Improved Autofocus Function
For those moments or whole shoots where you're not assisted by a focus puller, the C400 offers Canon's dual-pixel autofocus function, which has been improved by the wider area of the back-illuminated CMOS sensor, which is available for autofocus. Intelligent tracking lets you follow the eyes, face, head, and body areas of a subject with increased accuracy. For nature documentary shooters, the C400 provides the ability to detect the eyes, face, or body of select animals without being affected by their size or facial orientation.
Production and Broadcast Features
  • The versatile C400 incorporates a variety of interfaces that make it suitable for both film- and broadcast-style productions. These ports include 12G-SDI, 3G-SDI, and HDMI video outputs, dual mini-XLR audio inputs, timecode, genlock, and return video DIN connectors, and a 12-pin lens port.
  • An automatic clear-scan mode for the shutter detects your light source's frequency, helping to reduce or eliminate the flickering sometimes found in LED walls.
LCD, Handle, and Grip
Ergonomic improvements featured by the C400 include a new touchscreen LCD, grip, and battery. The LCD mount has both angle and length adjustments for optimal positioning of the LCD whether you're shooting handheld, shoulder-mounted, or on a tripod. The ergonomic, articulated handgrip features a multifunction shoe, three assignable buttons, and captive screws that won't get lost when you're mounting or detaching the grip.
Ethernet/Wi-Fi Control and IP Streaming
Use the C400's Ethernet port and Canon's IP-based XC protocol to add RC-IP1000, RC-IP100, or third-party remote-control shading to your broadcast-style shoot. The Canon RCCA (Remote Control Camera Application) is compatible with the C400, enabling control of camera settings and multicamera control. The C400 also offers IP streaming using the SRT protocol.

Rental Policy

 

Weekend Rentals

 

Saturday/Sunday are only not paid rental days if you wish to return Saturday/Sunday and cannot (because we are closed). In that case, you will return first thing Monday morning.

 

To schedule to return Monday morning without getting charged for Saturday/Sunday: Set the return for Friday at 5:30pm. (If you are unable to select a return time of 5:30pm, the equipment is unavailable for weekend rental). During checkout, write in the notes that you will be returning Monday morning. Please be sure to return Monday at 8am.

 

 

Rental Period

 

Equipment can be picked up between 4:30pm and 6pm the day before the rental period if the item(s) are available.  Please write in the notes during checkout that you would like early pickup.

 

Returns can happen between 8-10am the day following the rental period (Except Mondays. Reference Weekend Rentals above). Renters will be given a minimum of a $10 late fee or 20% of the day rate charged. Whichever is greater.

 

 

Pick-Up Discrepancies


Orders made during our closed hours will not be processed until the next morning that we are open and therefore will allow for some discrepancies.

 

We share our inventory between our Orem and Salt Lake City store and do our best to have equipment in the location that you wish to pick up. Consequently, last minute orders cannot be guaranteed to be all in one location as we are not given time to prep.

 

 

Credit Card on File in Case of Damage

 

A Visa, MasterCard, American Express, or Discover Card may be kept on file. This agreement authorizes Red Finch Rental to use the card on file for any loss or damage to the equipment rented. A valid state issued ID is required.

 

  

Insurance is Not Provided

 

The renter of equipment accepts full liability for any loss or cost of repair. Renters are required to provide proof of insurance naming Red Finch Rental as addition insured and loss payee. To purchase insurance, contact a provider like athosinsurance.com.

 

 

Renter's Responsibilities

 

All rental equipment is checked by our staff to ensure proper working conditions prior to leaving the premises. Red Finch Rental must be notified immediately in the case of equipment difficulties at 801-360-3855. Failure to do so may result in full rental charge.  Red Finch Rental assumes no liability for equipment failure and/or availability. The renter is responsible for the proper care and operation of the equipment as well as the return of all included accessories. 

 

A $50 cleaning fee will be charged for equipment that is returned dirty.

 

If excessive cleaning is required, additional fees may be assessed to the discretion of Red Finch Rental Employees. Please do not remove filters from lenses. They are there for your protection.

 

Cancellations

If a rental is under $100 and is cancelled up to a week before the pick-up date is scheduled there will be no penalty and a full refund if necessary. However, if the rental is over $100 and cancelled up to a week before the pick-up, the renter will be required to pay 10% of the original payment. 

 

Any rentals cancelled within the week before pick-up will be required to pay 20% of the original payment or receive store credit in place of a refund.

 

Cancellation of any multi-week rentals within the week before pick-up will either be charged 20% of the original payment or can have Red Finch Rental keep their full payment as in-store credit to be used at a later date.

 

If the rental equipment has been picked up, cancellations or early returns will not result in a refund of money or any discounts.